Kiss Kiss, Kill Kill!

Art, Love in Spite of
Two silhouetted figures, one male and one female, stand back-to-back with guns drawn against a bold red-and-white sunburst, with “Kiss Kiss Kill Kill” across the frame in a retro action-movie font.
The Choice.

Maybe the most honest kind of love is the one that doesn’t try to be good. By the end, it’s not about right or wrong. it’s about what you’re willing to burn for. Love, in spite of all obstacles, self-doubt, and delusion, is the mess we keep choosing.

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"Kiss Kiss Kill Kill" is the final piece. Unapologetic, cinematic, and electric. The lovers stop pretending to be innocent and embrace their chaos, kissing through crosshairs like pulp-fiction assassins in a doomed love story. Where affection becomes ammo, where the rhythm of “kiss kiss” turns lethal with “kill kill.” This chapter is about power weaponizing love into shared destruction of the opposition. Beneath the glam-violence, there’s something oddly tender: a realization that love doesn’t end it mutates. The red softens here, pulsing like a heartbeat rather than a warning light. There’s no more illusion, no more chains. Just two people, fully conscious, choosing each other despite everything. It’s messy, doomed, and defiantly honest. Not perfect “Disney” love, but chosen love, the most powerful kind.
Next work -
Made with Love?
A stark black-and-white photo features two figures—one in a dress, one in a suit—holding pinkies, their hands bound together by a single pair of handcuffs. Centered across the image, in bold red spray-paint, the phrase “Made with love?” cuts through the monochrome like a challenge, not a declaration.